And despite being decades old, White Christmas holds up pretty well in the present day, with well-written characters and a good story. White Christmas is particularly notable for being the first film released in VistaVision, a process that gave the movie a higher resolution and brighter colors than others of its time. After the two men help rescue the sisters from their greedy landlord, the four of them get together to put on a show to help Bob and Phil's former commander out of a tight spot. They meet the Haynes sisters, Betty ( Rosemary Clooney) and Judy ( Vera-Ellen), and despite initial conflicts, they become friends. Bing Crosby and Danny Kaye star as Bob Wallace and Phil Davis, two former soldiers who make it big as musical producers after World War II. The 1954 movie is a musical rom-com about two sets of performers who put together a Christmas show, finding love and friendship along the way. Putting the "classic" in Christmas Classic, we have White Christmas. Nighbooks occupies a vital space in the horror genre-one similar to the likes of Goosebumps, A Nightmare Before Christmas, and Hocus Pocus -which is to say it's just scary enough to act as a gateway movie for any kid (like Alex!) who might be interested in the harder stuff down the road. But when a witch ( Krysten Ritter) traps Alex in her New York City apartment and demands he spin her a new yarn every night, the creative kid has to use every ounce of his storytelling talent to make sure he and fellow prisoner Yasmin (Lidya Jewett) make it out alive. Alex ( Winslow Fegley) is teased so much for his love of writing horror stories he swears never to pen another tale again. Looking for something genuinely spooky to watch this Halloween season that's also perfect for the whole family? Look no further than Nightbooks, a witchy Netflix original from director David Yarovesky ( Brightburn) and producer Sam Raimi ( The Evil Dead). Plus, Alessia Cara sings an absolute banger of a song and Ricky Gervaisnarrates the story as a cat. It's a unique take on family and childhood that's worth the watch. Over the course of the rest of the movie, the siblings eventually find a family of their own, one where they are loved and cared for in a way their parents are simply incapable of doing. The Willoughbys' fortunes change shortly after their parents leave with the arrival of their new nanny (voiced by the iconic Maya Rudolph). Okay, yes, all of that sounds quite dark but rest assured, this really is a family movie. Deprived of love, music, and food their entire lives, the Willoughby children put together a plot to send their parents on a deadly vacation that they think is sure to kill them off. This acclaimed animated film follows the story of a group of siblings whose parents absolutely despise all children. In most kid's movies, parents are loving, caring people who would do anything for their children. Even the most bizarre turns never distract us from how deeply we end up feeling about this weird little kid and his surly new father figure out in the New Zealand bush. Waititi’s sensibilities as a writer and director here lean towards the bombastic and comedic, but the movie does its best work in the quiet moments. The story is part adventure tale and part family drama, yet even in its wilder moments, it balances these disparate parts in a wonderfully entertaining way (including a national manhunt, a faked death, and an almost New Wave-like series of vignettes within the story itself). Though he starts to connect with the more overtly loving “Aunt” Bella ( Rima Te Wiata), he ends up spending most of the movie with “Uncle” Hector ( Sam Neill), as part of a mutual and begrudging acceptance that they need each other more than they care to admit. Instead, it’s a beautiful dance between the two, as the New Zealand-set story follows something of an inverted Anne of Green Gables, as the young Ricky Baker ( Julian Dennison) is taken in by foster parents to help out on their farm. It’s full of quirky humor, but it is never glib in the face of its often intensely emotional material. Filmmaker Taika Waititi landed on most people’s radars as the director behind Thor: Ragnarok, but just before the Marvel sequel, he crafted the delightful adventure comedy Hunt for the Wilderpeople.
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